Titolo

Editor’s Note
DRHA Conference in Turin
Gabriella Giannachi, Letizia Gioia Monda, Antonio Pizzo

The Documentation, Conservation, and Sharing of Cultural Heritage
The Documentation, Conservation, and Sharing of Cultural Heritage
Gabriella Giannachi

From Digital (Art) Curation to Networked Co-Curating
Annet Dekker

The Rumor Underneath: A Feminist Approach to Performance-Based Art
Conservation
Irene Pipicelli

Giacomo Verde’s Archive
Annamaria Monteverdi

FORMA. Representing Space: Performance, Documentation, and Immersive Archive
Diego Schiavo

The Value of Choices: The DIAL Project
Raffaella Tartaglia

Digital Valorization of Cultural Memories: Three Case Studies in the
Emilia-Romagna Region
Federica Collina, Francesca Fabbri

Participatory Experiences as a New Way to Access Conservation Data in
Museum Contexts
Manuele Veggi, Sofia Pescarin

Digital Resources for Manuscripts: Between Fragmentation and Development Prospects
Chiara Senatore, Roberto Rosselli Del Turco, Paola Pisano

Use, Reuse, and Valorization: A Web App for Italian Cultural Heritage
Giulia Fabbris, Alessandro Bertozzi

Grandmother, Mother, Daughter: A Nineteenth-Century Egyptian Inheritance. Exploring the Impact of Archival Storytelling through a Site-Specific Spatial Augmented-Reality Exhibit in a Private Historic House
Sally Ann Skerrett

The Distribution of the Sensible
Flavia Dalila D’Amico

Sensoriality, Art, and Scenographic Culture in the Sixteenth through
Eighteenth Centuries: An Interactive and Inclusive Online Exhibition
Carmen González-Román

Between Scenarios: Traces of Customs in Tullio Victorino’s Paintings
Elaine Karla de Almeida

Challenges and Opportunities for the Digital Enhancement of Religious
Cultural Heritage: A Proposal for the Arca di San Domenico in Bologna
Melissa Macaluso

The Digital Content: An Opportunity to Enjoy Collections
Lara Corona

Integrating AI in Museums. A New Phase in the Museum’s Transformation
Yael Eylat Van Essen

The Digital Performance of Cultural Heritage

Performance
Antonio Pizzo

The Reuse of the Classics As Intangible Cultural Heritage: The “Dead
Centre” Case
Andrea Malosio

Reinventing and Relocating Opera. Digital Creativity and Opera Heritage
in the Intermedia Project by Davide Livermore and D-Wok
Giulia Carluccio, Stefania Rimini

The Digital Upgrade of Opera Theater: Intermedial Dramaturgies and
Technological Visualities in Fanny and Alexander’s Spectacles
Laura Pernice

The Dramaturgies of Volumetric Captur
Lee Miller, Joanne ‘Bob’ Whalley

Theatrical Characteristics behind Immersivity through the Idea of
Arche-Screen. A First Case Study
Francesco Melchiorri

Orchestra in Digital Transformation: Expanding Perceptual Possibilities of Classical Music with a Hybrid Performance Format
Lara Perski, Renate Buschmann

Virtual and Real: Ideas and Tools for an Enhanced Theater in an Empathic Direction
Giorgia Coco

Between the White Box and Ethics: Social Knowledge and Ecological
Communication in Three Participative Artworks by Salvatore Iaconesi and Oriana Persico
Luca Befera

Inês de Castro in Scenic and Performative Visions: Studies on the Digital Collection of the Museu Nacional do Teatro e da Dança of Portugal
Michele Dias Augusto

Digital and/or Analogue? From Post Zang Tumb Tuum. Art Life Politics:
Italy 1918-1943 to 1923: Past Futures, Notes on Exhibition Display
Massimo Maiorino

Art through Wikidata: A Digital-Curation Perspective
Toni Sant, Enrique Tabone

Sounding the Museum
David Prior

& I, the Moment of Being Dis-Stance Together: Research into Online
Performance Design for the Interplay between Intangible and Tangible
Cultural Heritage
Yi-Chen Wu

Tradition Upgraded, Intangible Cultural Heritage Redefined through
Innovation: The Case of a Kunqu Opera Costume Redesigned with Kinetic Functionalities
Ivan Parati

Strategies of Digital Engagement for Cultural Heritage

Digital Engagement: An Approach to Designing the Ecology of Post-Digital Performances
Letizia Gioia Monda

New Frontiers for Museum Spaces in the Phygital Dimension: What Digital Technology Can Do
Alessandra Miano

Cultural Heritage and Mediation: The Use of ICT in the Communication
of the Artistic Layers of the Church of Saint John the Baptist of Foz do Douro
Tiago Cruz, Marisa Santos

Visiting a Neighborhood of Medieval Silves Using Virtual Reality and
Non-Player Characters
Rui Antunes

Digital Heritage and Its Implications for Global Citizenship Education
Amira Ahmed, Aleksandra Dulic

Archeologies of Future Heritage: Cultural Heritage, Research Creations,
and Youth
Susanne Ådahl, Tomas Träskman

Exploring Symbolic Narratives in Virtual Spaces: Leveraging
Curiosity-Driven Design and the Attention-Value Model for Educational
VR Museum Experiences
Shirin Hajahmadi, Seyedali Ghasempouri, Gustavo Marfia

Digital Fabrication for Cultural-Heritage Enhancement: A Tale of Three
Projects
Quang Huy Nguyen, Marialetizia Tramontin, Marianna Belvedere

Authenticity, Risk, and Co-Production: Immersive Digital Media in
Decolonial Heritage Practice
Dominique Bouchard

Bathing in Glitter, Swimming in Neon Lights, Dipping in Cloudlike Ball
Pits: Three Case Studies to Delve into the Era of Instagram Museums
Carola del Pizzo

Should Holograms Be Displayed Next to Papier-Mâché Models? Reflections on the Conflict of the Pre-Digital and the Post-Digital Museum
Argenis Ramirez Gomez, Claire Bailey-Ross

Physical Spaces for Virtual Realities:Forging Legitimacy of Immersive Social Documentaries
Anja Boato

Coming (Out) the Museum: Cinematographic Engagements through
the Outfest’s LGBTQI+ Arts and Media Virtual Museum
Giovanna Santaera

Toward a New Culture for Immersive and Participatory Projects
Pedro Medina

Digital Curatorship Practices for Fashion-Heritage Experiences
Angelica Vandi, Federica Vacca

Participation and Inclusion with Digital National Collections:
Co-Designing the Sloane Lab
Alda Terracciano, Julianne Nyhan, Andrew Flinn

Seeking Attention: Exhibition Related Practices As Sites of Attention Care in the Context of Digital Attention Economies
Renata Pękowska

Engaged or Not Engaged, That Is the Question: The Impact of Duality
on the Participatory Experience of Augmented-Reality Interventions
in Cultural Spaces
Liam Noah Jeffries

Liveness in the Metaverse: The Dramaturgical Role of User-Experience
Design in Online Digital Performance
Federica Patti

SECTION ABSTRACTS

My Father’s Song: Interaction Design Installation
Joan Karlen

Guiding the “Authentic” Storytelling of Cultural Heritage in Virtual Reality
and Extended Reality: A Trust Framework
Ke Zhao, Xiaoguang Wang, Yi Zhang, Qiyun Zhang

Peaceful Places
Margherita Landi